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Franchomme's Nocturnes op. 14 owe as much to Chopin as to the vocal model of the Bel Canto, while Chopin's Sonata op. 65, the ultimate work, is indebted to Franchomme's contribution to the writing of the cello part. Moscheles compared it to "a wild forest, where a ray of sunlight appears only intermittently. Cellists, perhaps frightened by Chopin's famous rubato, too often neglect this Sonata.
Edoardo Torbianelli - a refined pianist cultivating rubato and ornamentation - and Fernando Caida Greco - a cellist in search of the purity of the Bel Canto - contribute to make us penetrate the so singular world of Chopin, perhaps another world...
Live recording, Abbaye de Royaumont October 1st 2017
On an original Pleyel 1842 piano, Edwin Beunk collection
Label Paraty
Le Chant du Violoncelle – Chopin & Franchomme
15,00 €
28 in stock
Classica April 2021 "Far from the lyrical versions given on modern instruments, the spirit of the salon dominates here [...] his way of privileging not the melody but the harmony, underlining all the inventiveness of the composer - Nocture op.48 n°2 by Chopin, tightrope walker and delicate, Nocturne op.14 n°2 by Franchomme, of a sensitivity to weep. Finally, what can be said of the marvelous rubato with which the pianist constantly irrigates his sophisticated but natural discourse? Has one ever heard such a scansion in Chopin? Fabienne Bouvet
October 20, 2020: Interview with Edoardo Torbianelli and Luca Montebugnoli & Sylvie Brély on Fréquence Protestante Marc Portehaut
4 décembre 2020 : Première interview d'Edoardo Torbianelli sur la Radio Suisse Romande "L'écho des Pavanes" Benoît Perrier
December 15, 2020 : France Musique "En Piste" Emilie Munera
December 21, 2020: Froggydelight (Jérôme Gillet)
